Hannelore Schulhof grew up in pre-War Germany, which she left shortly before the outbreak of World War II. She was joined by her Czech-born fiancé Rudolph Schulhof in Brussels, where they married. From there they travelled together to the United States. The Schulhofs were praised as collectors from the 1960s for the refinement and discernment with which they brought together art from both the European and North American continents. Celebrated benefactors of the arts, each of them served on numerous museum boards and foundations, including CIMAM and the American Federation of Arts. Mr. Schulhof was a trustee of the Solomon R. Guggenheim Foundation from 1993 until his death in 1999, while Mrs. Schulhof was a Charter (Founding) Member of the Peggy Guggenheim Collection Advisory Board in 1980. Source
Howard S. Rose, started his career in the Antiquities business in 1971. Before taking over the Arte Primitivo gallery, Rose was the director of Harmer Rooke Galleries on 57th Street, for nearly 25 years, and more recently director of Greg Manning Galleries. Rose has authored over 125 auction catalogues, is a licensed and bonded New York auctioneer, is a full member of both the NADAOPA (National Association of Dealers in Ancient, Oriental and ?Primitive Art) and ATADA (Antique Tribal Art Dealers Association) and has performed hundreds of appraisals as well as advising the IRS and the NYC DEA on property evaluations.
Gallery director, Claudine Colmenar was assistant director of Greg Manning Galleries and worked closely with Rose previously.
The Arte Primitivo Gallery of Pre-Columbian Art and Books was originally founded in 1971 by William and Mildred Kaplan, dedicated to the needs of archaeologists, scholars, collectors, and students. The name and location of the gallery in midtown Manhattan were acquired by Rose, who renovated the premises and re-opened the gallery in early September 1996. Source
Howard Nowes, owner and director of Art for Eternity Gallery on Manhattan’s Upper East Side, has been finding treasures and bringing them to collectors for 28 years. His exceptional eye and excellent reputation have made him a go-to source for connoisseurs of classical antiquities, pre-Columbian and tribal arts for decades. Pieces from Art for Eternity live in museums at Yale, Dartmouth, Princeton and Emory—and have been featured in Architectural Digest, The New York Times, CNN and Newsday.
A trusted and respected expert, Mr. Nowes organizes an informed collection—affording buyers much-needed security, honest appraisal and ethical pricing and is noted for his ability to distinguish rare and important objects.
Photojournalist and expert in Natural Light Portraits. His work has appeared in more that 2 dozen magazines, exhibitions, and grants. Richard was a Tribal Arts Collector: Specializing in unique Pre-Columbian Art, also African art 18th - 20th century. Richard was famous for his incredible photography during Woodstock.
Dr. Abner I. Weisman, an internationally known fertility specialist and clinical professor emeritus of obstetrics and gynecology at New York Medical College.
Dr. Weisman was the author of several books, including "You Too Can Have a Baby" (Liverlight, 1941) and the academic work "Spermatozoa and Sterility."
He founded the International Fertility Association and helped introduce in the United States a test for pregnancy using frog hormones.
He once estimated that he had delivered 20,000 babies. He was the gynecologist for several well-known celebrities, including Marilyn Monroe.
Dr. Weisman amassed a rare collection of pre-Colombian "medical sculptures" now at the National Library of Medicine in Bethesda, Md. The collection includes figures from coastal Peru and western Mexico that purported to show the medical histories of ancient people.
During World War II he was a Public Health Service physician in North and South Dakota, where he worked with Sioux Indians. The experience generated a lifelong interest in the plight of Indians and in native and tribal art.
Silberman became passionate about tribal art and especially African art during his college years at the University of Wisconsin, Madison, in the 1930s. He joined the Department of Labor in 1941, working on production of war material for WWII and then became chief of the productivity division in the Bureau of Labor Statistics. This expertise led to invitations from European governments in the post-war period to do productivity surveys of their industries, and subsequently, to develop the Marshall Plan technical assistance program, for which the Government of France named him "Chevalier de la Legion d'Honneur" in October 1953.
During the 1960s, Silberman became a close associate of Warren Robbins, who began the Museum of African Art, the predecessor of the National Museum of African Art at the Smithsonian Institution; and he helped mount two major exhibitions at the National Gallery of Art on North West American Indian Art and African Art. During this time, he developed a new career as an appraiser of African art and a consultant to other collectors, notably as consultant to Lee Bronson as he assembled his collection, which became a major traveling exhibition, "A Survey of Zairian Art," and the accompanying book edited by J. Cornet.
His love of tribal art and collecting continued well into his 100s, and he loved nothing more than to sit down with close friends to discuss pieces, ones collected decades earlier or recently acquired by his friends.
Adeline Newman of Beverly Hills, California. The Newmans collected actively in the late 1960s and into the 1970s, when there was an enormous number of pieces coming into Los Angeles. Dr. Sidney and Adeline Newman, Los Angeles, before 1970. Dr. Newman was an important Pre-Columbian art collector and the photographer for Hasso von Winning's important book The Shaft Tomb Figures of West Mexico (1974).
In the early 1960s, Leonard Kaplan opened his now famous Ancient Arts shop, which he irreverently referred to as "an Aztec five and dime," near the intersection of Glenneyre and Thalia in Laguna. There, he sold everything from pre-Columbian artifacts and Spanish colonial furniture to Ming Dynasty porcelains from a bed he was forced to use after a series of unsuccessful back surgeries that left him wearing a back brace for the rest of his life. His clients included a number of Hollywood luminaries, including Vincent Price, Edward G. Robinson, Rock Hudson, Jack Lemmon and later Peter O'Toole.
His shop and the home/studio he built in back of it became a frequent meeting place for important artists and writers of the time, including Wallace Berman and Timothy Leary. In the early 1980's, after he claimed to have retired from shopkeeping, Kaplan began to produce his mixed media collages, while still buying and selling antiques from his living room. Kaplan continued to be a pivotal fixture in the Laguna arts community for over 60 years. A retrospective of his work entitled "Waking Dreams" was mounted at the Laguna Beach Museum of Art in 2003. Kaplan's oral biography is archived in the Smithsonian Institute's Archive of American Artists.
Earl Stendahl (1887–1966) was a pioneering American art dealer who in 1911 founded the influential Stendahl Art Galleries in Los Angeles, initially focusing on California impressionists of the early 20th century such as Nicolai Fechin, Joseph Kleitsch, Edgar Payne, Guy Rose, and William Wendt. The gallery eventually expanded its scope to include works by European and Latin American modern artists such as Constantin Brâncuși, Marc Chagall, Lorser Feitelson, Wassily Kandinsky, Paul Klee, Henri Matisse, Diego Rivera, and David Alfaro Siqueiros. Stendahl was a pioneer in the promotion of abstract art in California in the late 1920s. In 1939 he hosted one of only two non-museum exhibitions of Pablo Picasso's masterwork, Guernica, to benefit Spanish war orphans.
Stendahl worked with significant collectors including George Gershwin, William Randolph Hearst, Vincent Price, Nelson Rockefeller, David O. Selznick, and Frank Lloyd Wright. During the mid-1930s, Diego Rivera's pre-Hispanic art collection inspired Stendahl to start working with pre-Columbian objects from the Americas. The first clients for ancient artifacts from Mexico and Central America were the Los Angeles collectors Louise and Walter Conrad Arensberg, who became friends with Stendahl as he assisted them in putting together one of the most significant private collections in North America. As evidenced in the archival materials, Stendahl traveled extensively throughout Latin America both for research purposes and in pursuit of pre-Hispanic objects for his clients.
The Lands Beyond is a 50 year old exclusively Pre-columbian gallery. Ken and Barbara Bower do business from their website and Manhattan penthouse apartment.
Ronald Normandeau, after some years of gallery ownership in Westwood Village, established the Anthropos Gallery of Beverly Hills, California in October, 1976. Located at Wilshire and Camden, the gallery specialized in Ancient and Tribal sculpture from the Old as well as the New World: Ancient Egyptian Art & Antiquities, Pre-Columbian Art, and North American Indian and Eskimo Art.
During the past three decades, they have focused on the art of the western coastal regions of North America: the sculpture of ancient Mexico, the antique art of the Pacific Northwest Coast Native American, the art of the early California cultures, and the related Art of the Native American Southwest.
Normandeau has served as exclusive agent and curator for acquisition and de-acquisition of world-class private collections for many years, including the Proctor Stafford Collection (1988-1997), the first American Pre-Columbian art collection of Ancient West Mexican ceramics. A significant part of this collection was acquired by the Los Angeles County Museum of Art during the 1980s, after a major exhibition during the 1970s.
Over the last few decades, Normandeau-Anthropos has contributed major works of ancient sculpture to noted museum shows. Many of these works have been published in top reference books, such as the great Princeton Art Museum Exhibition in 1995-‘96: The Olmec World: Ritual & Rulership.
Anthropos founder Normandeau was Director of Special Exhibitions at Chac Mool Gallery in West Hollywood from 1995 until 1997, and served as curator of a critically acclaimed Pre-Columbian Art exhibition there in 1996 (Sculpture of Ancient Mexico).
Dr. Harner amassed a large collection of Pre-Columbian art, primarily from West Mexico, in the 1950s and 1960s. He authenticated objects for Tom Gilcrease, founder of the Gilcrease Museum in Tulsa, and in the 1970s made extensive donations of pre-Columbian and Native American ceramics to the Gilcrease Museum. Dr. Harner was pictured in Who’s Who in Indian Relics, second edition, 1968.
Artemis Gallery specializes in Classical Antiquities (Egyptian, Greek, Roman, Near Eastern), Asian, Pre-Columbian, African / Tribal / Oceanographic art. Artemis Gallery provides appraisal documentation that includes item/artist description, provenance and auction records for the artist, general assessment of authenticity, quality, condition and fair market price and replacement value. When evaluating archeological ceramics / pottery, the scientific technique of thermoluminescence (TL) is used to distinguish between genuine and fake antiquities. Artemis also offers USA-based TL Testing Services through its affiliate, Artemis Testing Lab, headed by Serge Fayeulle, PhD. Dr. Fayeulle's laboratory provides expert TL Testing / Analysis for pottery, whether core sampling is done in-house or by an agent of his designation.
Sotheby’s has been uniting collectors with world-class works of art since 1744. Sotheby’s became the first international auction house when it expanded from London to New York (1955), the first to conduct sales in Hong Kong (1973), India (1992) and France (2001), and the first international fine art auction house in China (2012). Today, Sotheby’s has a global network of 80 offices in 40 countries and presents auctions in 10 different salesrooms, including New York, London, Hong Kong and Paris. Sotheby’s also allows visitors to view all auctions live online and place bids from anywhere in the world.
Rod Rogers is an educator, collector, dealer and American Society of Appraisers certified appraiser, senior member, specializing in Pre-Columbian, African and Native American Art for nearly sixty years.
He holds advanced degrees in Ethnographic Art from both Columbia University and New York University and taught Studio Art and Art History for years at the College of Staten Island in New York. Later, he taught Pre-Columbian, African and American Indian Art Appraisal courses at New York University and retired from education in 1996.
James Caswell's involvement with antiques grew naturally from his interests as an artist and craftsman. For over 20 years, working in a variety of media he merged ancient concepts of form, content and decoration with a modernist sensibility. Ethnology, shamanism and tribal world-view were frequent points of reference and inspiration for his aesthetic. His work was exhibited in numerous galleries and museums in North America, Europe and Asia and in 1983 he received a National Endowment for the Arts Individual Artist's Fellowship. From 1983-1985 he was artist in residence at Sevres, the distinguished French National Porcelain Factory, where several of his unique vases were put into production. All of his life James Caswell was an avid collector and eventually opened his shop "Historia" on Pico Blvd in 1980.
Joaquin Blanco is a California based collector of archeological and ethnographic items from Mexico and Africa. He is also a collector of Latin American Painters and has loaned pieces to several West Coast institutions including the Pasadena Museum of Art. Additionally he has been a contributing researcher to several books and publications about the history and genealogy of colonial Mexico.
Dr Saul Tuttman MD, PhD. Was a Psychiatrist, Psychoanalyst, Past President at Institute for Psychoanalytic Training and Research (IPTAR), Clinical Professor at Albert Einstein College of Medicine, Full Member, Int'l Psychoanalytic Assoc.
Dr. Gregory W. Siskind has retired as associate dean for research and sponsored programs (RASP) at the Weill Cornell Medical College in New York City.
Both Dr Tuttman and Dr Siskind had an extensive private collection of tribal and Pre Columbian art collected in the 1960s / 1970s and loved to share their knowledge of history to those who visited their home in New York.
Growing up on a farm in Pennsylvania, Jason Osborne was always naturally curious. From a young age, he began collecting and curating finds, from fossils to early glass bottles. As Jason grew older, his inquisitiveness grew into an assemblage of Pre Columbian, Oceanic, and tribal art as well as a collection of Cenozoic marine fossils. The study of the sciences, both ancient and modern, is a constant in Jason’s life. He has published peer-reviewed journal articles in the fields of neuroscience, geology, and paleontology.
By the means of SCUBA, Jason explored river systems and swamps along the Atlantic Coastal Plain. These expeditions led to a wealth of scientifically significant finds that now reside in museums along the eastern seaboard of the United States. Jason’s most noteworthy discoveries include a new genus of Oligocene whale and two new species of Miocene pinnipeds.
In addition to unearthing and donating extraordinary specimens, Jason has shared his skill and love for paleontological expeditions with the greater community. His work has been featured on media outlets such as National Geographic, Discovery Channel, NPR, Popular Science, Nature, and Science Magazine.
These contributions in addition to other considerable public engagements in science led to Jason being recognized and honored by President Barack Obama and the White House Office of Science and Technology Policy. Jason received the White House Champion of Change award in 2013.
Minerva Gallery is an online antiquities gallery based in the United States. They specialize in the sale of Greek, Egyptian, Roman and Mediterranean antiquities; as well as Pre-Columbian, Near Eastern and Asian antiquities. They are dedicated in the ethical sourcing of ancient art and antiquities and adhere to strict responsible trading policies. Each piece is expertly authenticated and comes with a certificate of Authenticity stating culture, age and provenance.
Naomi Lindstrom (1924-2014) was a collector of the purest sense. A longtime flight attendant for Pan Am, she traveled the world rubbing elbows with sheiks and presidents, all the while collecting what she loved along the way. What has been described as the most significant collection of world beads in the United States, international and ancient pieces.
Norman was one of the foremost art dealers and certified appraisers of tribal art and antiquities. He was nationally and internationally respected for his professional expertise and loved for his kindness and gentle nature. Norman was an inspiration to many and will be sorely missed by those who knew him and loved him.
For over 30 years, Norman was the proprietor of Hurst Gallery in Cambridge, MA. The gallery has been a unique fixture in Harvard Square, where Norman introduced countless patrons to the beauty and significance of non-Western arts. The scholarly catalogs of specialized exhibits published by Hurst Gallery, many of them authored by Norman himself, have been circulated worldwide and constitute a significant contribution to study of the field. In addition, Norman served as a consultant to both museums and to private art collectors, providing appraisals, planning exhibitions, and advising on the development of collections. He was one of a handful of appraisers with expertise in the arts of Asia including China, India and Japan; Graeco-Roman, Egyptian and Middle Eastern antiquities; American Indian, Eskimo and Pre-Columbian art; African art; and art and artifacts of the Pacific Islands.
He was a member of the International Society of Appraisers and the Appraisers Association of America, organizations in which he earned special certification for his expertise in non-western arts. Norman was also an active member of the Antique Tribal Art Dealers Association (where he was one of four founding members), The Appraisers’ Registry of New England, LLC, the New England Museum Association, and the Pacific Art Association. He was a supporter of many museums and cultural organizations across New England. Norman travelled widely and there was never a museum, archaeological site, or art gallery that he missed during these trips.
Peter Arnovick, Ph.D. (1934 - 2015), California. Peter G. Arnovick: Professor. English,Art History (1969). B.A., M.S., University of Southern California; M.A., University of California, Los Angeles; Ph.D., Union Institute Graduate School. He taught at Menlo College for 38 years.
Arnovick was an art historian and professor at Menlo College and owner and CEO of Araine Fine Arts, San Francisco. He was a well-respected collector of African, tribal and pre-Columbian art.
Chris Webster is the Founder and President of WEBSTER ENTERPRISES, the umbrella organization of his professional activities and personal investments in the arts, real estate, and equity ventures. Founded in 1972 on the historic Plaza in downtown Santa Fe, New Mexico, initial business activity focused on art brokerage and procurement of rare treasures for collectors and museums. WEBSTER COLLECTION (originally Christopher Webster Art Investments) continues to specialize in American Indian artifacts, pre-Columbian art, vintage Western paintings and photographs, folk art, Spanish Colonial antiques, Knoll International furniture, Asian antiques, and more recently, contemporary paintings, photographs, and sculpture. From those origins came the opportunity to set aside certain objects as a collection, Timeless Integrity - The New World Collection, that today consists primarily of representative examples from Mexico, Peru, and the American Southwest, the lands of Spanish exploration during the Age of Discovery. The introduction, promotion, and sale of the art of yesteryear, as well as today, is accomplished through various methods of exposure combined with communication and collaboration with colleagues, collectors, and authorities in both private and institutional environments. "Defining Excellence in Art," WEBSTER COLLECTION constantly showcases an eclectic mix of art and artifacts as well as a complimentary library from its "On Top of The Plaza" location, a space emulating a Mexican Colonial-era hacienda, while periodically featuring extraordinary shows of contemporary artists' works throughout the year.
Jack began his long and remarkable career teaching government at Southwestern High School in Detroit; in 1961 he was the youngest delegate elected to the Michigan Constitutional Convention and went on to serve 15 sessions in the Michigan State Legislature. Jack was an avid art collector and enthusiast, and among the many accomplishments of his political career, one he was most proud of was establishing funding for the arts and creating the Michigan Council for the Arts. Jack was also extremely passionate about education; he was headmaster of City School of Detroit, and until recently served as headmaster of the International School in Farmington Hills, a multilingual academy that he founded in 1968.
Jean Charlot (French-born, American, 1898-1979) was born in Paris in 1898. He served in World War I and later moved to Mexico in 1921. Charlot participated in Mexican muralism both as an assistant to artists including Diego Rivera and with his own murals. Charlot also lived in the ancient Mayan city, Chichén Itzá where he witnessed and illustrated excavations by the Carnegie Institute, fostering his interest in indigenous culture and pre-Columbian iconography. He studied the works of José Guadalupe Posada which also had an influence on his prints, later publishing articles and essays on the subject. Charlot left Mexico for the United States in 1929. While living in New York, he taught at the Art Students League, then was invited by Josef Albers to teach and create murals at Black Mountain College in 1944. He also lived in Colorado to teach at the Colorado Springs Fine Arts Center and the Fountain Valley School. In 1949, Charlot settled in Hawaii where he taught at the University of Hawaii for over 30 years. He passed away in Honolulu in 1979.
Charlot is known for his prolific output across several mediums, including murals, original prints, oil paintings, illustrations and scholarly articles. He played a key role in the Mexican Mural Renaissance alongside Diego River Pablo O’Higgins and José Clemente Orozco. Charlot is credited with completing the movement’s first mural in true fresco. He is also known as a contributor to the popularity of lithography in Mexico and for drawing attention to mesoamerican and Hawaiian art and culture. His works are collected by many major institutions and his murals are preserved internationally. The Jean Charlot Collection is held by the University of Hawaii.
Ancient Mexican Art Exhibition
Early Formative Central Mexico 1
Early Formative Central Mexico 2
Early Formative Central Mexico 3
Early Formative Central Mexico 4
Late Formative Western Mexico 1
Late Formative Western Mexico 2
Late Formative Western Mexico 3
Southeastern Mexico and Northern Central America